Art Review February 20, 2013
Kristin T. Woodward, Resident Curator, ArtDeadline.com
While I love your works encrusted with gold leaf, these oysters on a plate seem to swoon for Cezanne. There’s a gorgeous handling of the still life with neutralized cool color and scumbled white. I like that the plate slightly hovers in space- the softened edges of the white cloth cradle the nuances of the similarly white plate. The shifting color on the edge of the elliptical platter helps to push my eyes around the space, so that I don’t get weighed down in the (albeit light) centrally placed subject. The slight diagonal slant of the cloth on the right side of the picture plane also creates an unexpected dynamic, injecting more movement into the otherwise level and symmetrical composition of shells. The small painting simply entitled Mum is also enigmatic- simple in design, but lush in the painterly handling of form and light. The roughness in the gestural stylization and darker value stops the piece from being too romantic or sentimental. While there are clearly delicate marks and subtle changes in color, there is an inherent strength implied by the scraping of the surface, and idea that the object is pushing out of its ground.